Monday, 21 April 2014

Army of Darkness Film Review - What Shall I Watch On Netflix?

This week it's my first ever review! Army of Darkness (1992)

Directed by Sam Raimi
Produced by Robert Tapert
Starring Bruce Campbell as Ash Williams
Music by Danny Elfman (themes) and Joseph LoDuca (score)
Released – world premier: October 1992, in theatres: 1993


So, Army of Darkness, also known as 'The Evil Dead 3 – The Army of Darkness', 'Bruce Campbell vs The Army of Darkness' and in its British release 'Army of Darkness: The Medieval Dead'. The British name is the one I like the most as it's quite a funny/clever pun.


The genre of this film is quite hard to place, it constantly moves between a dark comedy, horror, fantasy and there are some bits that I would say are slapstick.


Released in 1992, Bruce Campbell stars in Sam Raimi and Robert Tapert's third film in the Evil Dead trilogy. In true Netflix fashion, this is the only film in the trilogy that they have available to watch, but I thoroughly recommend you seek out the first two as they are great films. You don't have to have seen them previously to watching the Army of Darkness as there is a short prologue that explains what happened in the second film and how Ash came to be in the year 1300 AD. I would suggest that you do watch them first however as they are a good introduction to the themes and characters presented.


So anyway... THE PLOT:
Hailed as the one foretold to rid Lord Arthur's lands of the Deadites, Ash Williams is told he must get to a graveyard (which is conveniently placed on the other side of a haunted forest) where the Necronomicon Ex-Mortis is held. Only this book will rid the land of the Deadites, only this book has the secret that will let Ash get back to the present, and an old man with a beard tells Ash “Only you, the promised one, can quest for it!”.

There is the obvious clause that if the Deadites get their hands on the book before Ash then an army of darkness (see where the name comes from?) will rise up and take over the world!

The plot is vastly different to the previous Evil Dead films in that they were about a group of American teenagers or early twenty-somethings who are trapped in a cabin in the woods fighting possessed people, so it is great to see the character of Ash in a totally new environment.

However, there are a lot of clichéd plot points, such as Ash being made to go through a haunted forest to get to his goal, evil taking over the world if the book falls into the wrong hands and Ash being prophesied as the only one who can save the world.

On the other hand, it remains true to its Evil Dead roots by having the book fall into the wrong hands due to a hilarious mistake by Ash, and the fact that he has no interest in playing the hero, it's just by good fortune that the way that will send him home will also save the world.

There is a strange bit which I feel is the one failing of the plot (aside from the whole fantasy horror, time travelling stuff). There is a scene where some skeletons are shown taking a couple topless woman hostage/prisoner, and one skeleton says “We've got plans for you...”. These woman are never seen again, they're never spoken of again and so it doesn't fit in with the film.


I feel Ash Williams is a fantastic character, and it's great to see him in this new environment. The fact that he doesn't care about anyone, is a bit of an eejit and a total bad-ass leads to some of my favourite film quotes. Bad guys are told to “Come get some!”, love interests are told to “Gimmie some sugar baby!” and friendly peasants are told to “Get the fnck outta my face!”


SPECIAL EFFECTS:
Rather than using CGI which was becoming more popular at the time, the film uses puppets, stop motion animation and something called Intro-vision. This is a fancy kind of incorporating pre-recorded performance with live action using projectors and things similar to cinema screens. I find this a lot more visually appealing to what a lot of modern day films contain. I personally don't like the whole Inception thing with roads rising up into the sky.
In terms of special effects, this film is very dated – considering it came out the same year as Jurassic Park. I do however find the style presented a lot more enjoyable to watch than someone jumping around in front of a green screen.

The chase scene through the haunted forest is very pleasant and well done. However, the same technique had been used a few times in the first two films, which left it feeling a bit overused, and maybe even abused.


The fight scenes are too long in my opinion, with the final battle lasting over 20 minutes which is excessive. When you consider that Bruce Campbell/Ash Williams is fighting people who aren't really there (as in they are projections or added in via stop motion), the fight scenes become well choreographed and almost impressive.


The film on Netflix has the original ending, which gives a totally different feel to the 'S-Mart' ending that was created for American release. 'S-Mart' is funny and shows Ash to be the womanising bad-ass he is often portrayed to be in the film. The original ending shows Ash to be the eejit he is also often seen portraying, and is considered to be more cruel and pessimistic.
Both endings are however true to his character, and I prefer the one on Netflix. I think it is more likely to happen to Ash than the 'S-Mart' ending, but I will provide a link to it all the same as I think it is funny and still worth a watch (although only after watching the original).


On a scale of Scott Pilgrim to Pans Labyrinth, I would give this film a nine. It's funny, got some bits that people might find scary, moves on quite a lot from the original Evil Dead story line which would of become a bit stale, but not too much as to appear unconnected, it's well made and... well if I only had one word to sum up this film, I couldn't choose any other word than: GROOVY!

Check back next Thursday as I will be reviewing An American Werewolf In London.

Feel free to leave a comment with your thoughts and opinions, and if you see a film you want me to review make sure to let me know!

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